Friday, January 31, 2014

Part 2 - Code MOB - Triple Vav Volkswagen

It may have come as something of a bombshell when you learned from Part 1 how the Greek text of Revelation 13:18 is an anagram of SEX. If you gave that some thought, it may have opened some insight into the development of the English language and strengthened in your mind the revelation of 1 John 5:19, that “the whole world lies in the power of the evil one.

Symbols of the beast and his mark have been embedded in many clever ways that are snares to the unwary. I'm not starting out with the easy and obvious in this series, there's really very little time for such an approach at this late hour. If this kind of symbol deconstruction is new to you, the Code 33 series is a great place to start catching up.

I'm going to begin with more explanation of the examples I just posted in the Miley Cyrus music video for “We Can't Stop.” Several clever and subtle symbols of 666 were pointed out, two of which represented combinations of different classes that produced a trio of sixes. Let's break them down and identify the classes.

The skull's Code MOB required first a proper identification of the objects. The skull was constructed of French Fries. The hand had Fingers. See how the non-finger parts are blurred.

To realize that the objects are signaling 666 you have to see them as supplying their first letters, F, and recognize that letter as the 6th. French Fries and Fingers ~ FFF ~ 666. The process of transformation requires a few steps but that kind of subtle concealment produces a powerful symbol. Symbols like this are always strengthened by complementary layers that are embedded in the context.

The final scene also produced a trio of obfuscated sixes for a Code MOB. Like the skull scene it required an identification of the elements supplying the letters that transform to 6. The peace sign is a hand signal flashing the letter V. The V transforms to a 6 as the expression of the 6th Hebrew letter, vav. The other 6 is produced by her hat, which first has to be recognized as a veil. Then, the first letter V can be perceived as the same thing she's hand signaling. There's that trio; VVV or 666. It's obfuscated, veiled. Clever Devil.

The Code MOB triple vav was leveraged throughout “We Can't Stop” in the most prominent of Miley's necklaces. Think about it. The MOB sign was hung around her neck. That's quite fitting, since that's a figure used to imply accountability, judgment and death. She's marked for death.

One of the big triple vav brands today is Monster Energy drink, whose logo is a near match to Miley's necklace. Beyond the 666, the M itself is a beast symbol. Monster ~ beast. The symbol itself is literally beast energy, projecting through a portal. The M is the 13th letter, which has the associations of the rebel lord beast. As you may recall, Madame Blavatsky named it as the most sacred of all, identifying it as an androgyne. It's the sign of the watery abyss. The abyss Monster is Leviathan. The beast and his mark represent Monster Energy, supernatural dragon power. The Horus identity is lurking in the midst of all this. The triple vav M is a brilliant symbol. Evil genius.

The Code MOB class of the triple V has long been leveraged in the classic Volkswagen logo. In a simple roundel badge, the V set on top of a W provides a strong brand identity for Volks+Wagen. As an Occult symbol, the mark of the beast is being signaled in two potent ways. Plus, the ritual sodomy that is so closely aligned with the mark is graphically pictured, a subtle signal that is consistently emphasized in marketing campaigns - including their new ad targeted for this Sunday's Super Bowl. (Volkswagen Super Bowl XLVIII 2014 Ad : "Wings")

VW's letter W is a double V, which combines with the top V to produce the triple V or vav or 666. If you compare this logo with the last scene of Miley's We Can't Stop, it looks like she's promoting VW.

This blog's long running sodomite gateway series provides plenty of documentation to support the identification of VW's logo as a sodomite graphic. The reflected version is perhaps easier to identify, which is not unlike Dr John Dee's alchemical monas hieroglyphica in how two stick figures are pictured engaging in sodomy. The demonic enslavement and control mechanism established by means of this ritual should be seen as the precursor to the mark of the beast, by reason of what it directly achieves for the thorn and thistle heritage of the Serpent Tree and because of how the world is prepared through that programmer-handler-slave operation to receive the beast and his mark. While it is possible to get free of the precursor, it will not be so of the beast's mark.

VW's marketing campaigns have long supplemented their logo's ritual sodomy symbolism through the link between gas as a fuel and gas produced in the gastrointestinal tract. Gas pains. Gastrointestinal distress. Better fuel economy was the obvious implication, the relief of the pain of higher fuel costs paid at the pump. The ad featuring their logo on a pill in a glass of fizzy water made it akin to Alka Seltzer, which was a popular remedy for indigestion and gas that was seen in ads of the era. References to the GI tract are a popular means of signaling ritual sodomy. Miley's open mouth and hidden eye-Horus Eye pictured above in connection with the triple V sign sure smacks of a VW ad.

The reference to gas in their latest offering isn't suggesting better fuel economy. Expected to air during this Sunday's televised Super Bowl, this Volkswagen commercial is promoting the longevity of their cars through marking milestones.

Volkswagen Super Bowl XLVIII 2014 Ad : "Wings"

They are spilling beans about the MOB plan, including timing because of the milestones.

It goes like this. A father and his daughter are riding in a Volkswagen. The father is noting how the car is reaching a milestone that had once been a big deal, when cars didn't last nearly as long. “What if I told you that every time a Volkswagen hits 100,000 miles a German engineer gets his wings?” They cut to a comedic sequence of engineers at a VW factory suddenly sprouting pairs of wings of the kind commonly identified with angels. They cut back to the scene in the car, where the daughter replies, “Yeah Dad, and I'm sure at 200,000 miles, rainbows shoot out of their butts.” This screenshot is what follows. An engineer who had gotten his wings at the first milestone has rainbows shoot out of his butt at the next milestone. The illustration links the rainbow to flatulence. Such jokes are popular these days but it's typically far more than just innocent fun for the juvenile, as it is in this VW commercial.

In Sodom, shortly before it was destroyed by fire and brimstone, all the men of the city wanted nothing more than to sodomize two angels that had visited Lot in the form of men. See Genesis 19. That preceded the destruction that was an expression of the sovereign God's judgment. That event, which has to do with angel butts, is one of two of the most famous judgments in history, the other of which is connected to the rainbow. The rainbow is a memorial of a promise God made to all creatures and the earth itself that relates specifically to what happened when He purged the face of the earth with a great flood. Genesis 9. That was due to fallen angels, the sons of god of Genesis 6, who famously practiced sodomy in their corruption of the earth and bringing of the pure race of Adamic men to near extinction.

VW. 666. Code MOB. Engineers sprouting wings. Rainbows coming out of their butts. At work in a factory building vehicles. If you listen to the happy song being sung you'll hear “Dooby Dooby DOOM.” DOOM! Judgment and destruction. They're singing a happy little ditty about doom as they present symbols of the days of Noah and the days of Lot.

26 And just as it happened in the days of Noah, so it will be also in the days of the Son of Man: 27 they were eating, they were drinking, they were marrying, they were being given in marriage, until the day that Noah entered the ark, and the flood came and destroyed them all. 28 It was the same as happened in the days of Lot: they were eating, they were drinking, they were buying, they were selling, they were planting, they were building; 29 but on the day that Lot went out from Sodom it rained fire and brimstone from heaven and destroyed them all. 30 It will be just the same on the day that the Son of Man is revealed. ~ Luke 17:26-30

Volkswagen was originally founded in 1937 by the Nazi trade union. In German, “Volkswagen” means “people's car.” The mark of the beast is a “car” for the people. It's a vehicle that will transport them into another dimension - and for their soul there's no coming back. It's a one way trip. Destination: Lake of Fire. While there will eventually be a restoration of all things, that's not the route you want to take.

The bell is a sonic device that is associated with a dimensional transit. See Bells - Supernatural Enchantment and a Biblical Perspective The Dad's line in the VW commercial is a play on the classic film, “It's a Wonderful Life.” There, the line was, “Every time a bell rings, an angel gets its wings.” Listen closely in the scene where the rainbow shoots out of the angel engineer's butt. Do you hear the tinkling? The rainbow bridge or Bifröst is the biblical mecillah, the kingdom viaduct or stargate construct, the highway to and from the heavens. Is there an obscure reference here to the Nazi bell, die glocke, which some believe was used as a vehicle to travel through space and time?

The VW commercial is so rich with complementary symbols at least some of them deserve mention.

At 4 seconds in, we see the first milestone. Let's consider the numbers. There are nines or inverted sixes in the odometer figure, which is having attention called to it as incrementing to a six digit number. The odometer ticks over from 99,999 to 100,000 miles but the trip odometer does not, holding at 41.9. When it does iterate, which we're anticipating, it will show 42, which is 6+(6*6) or another 666 signal. The number 42 is identified with the trip duration of the beast in Revelation 13:5, identifying how long his authority will last in months. One odometer has 6 digits. The other odometer has 3. Three sixes are 666. The temperature is 75 degrees. It's a covert naming of the sun god, Re, or Ra. On the periodic table of elements, Re or Rhenium has the atomic number of 75. The sun is hot, with lots of degrees of temperature!

Darcy, the daughter, wears dark and light stripes, a symbol of the knowledge of good and evil. The name, “Darcy,” means, “Dark.”

At 15 seconds, we see the factory floor with engineers flanking a vehicle assembly. There are 3 on one side and 3 on the other. Code 33.

At 22 seconds, an engineer's wings sprout to emerge up out of an opening in the car's roof. The wings emerge through the portal, and wings represent what has the ability to traverse dimensions. The portal is a sunroof, or moonroof, evoking the celestial context. Sun and Moon ~ Bridegroom and Bride, and according to the way of symbols (2nd commandment of the 10), it's only ever the false versions in view. The triple bands of light in the fixtures remind me of what are found in the temples of Freemasonry, where there are three Great Lights, and three pillars, the three movable jewels, the three immovable jewels...

At 25 seconds we're in an elevator shaft, and we see the elevator approaching us, ascending or descending. It's a stargate transit. We see an engineer sprout wings inside the elevator. He gooses the female engineer in the butt. Ritual sodomy by an angel. He didn't mean it but she slaps him in the face. Ritual abuse of the innocent. He wears a tie, as many of them do. Ritual sodomy is the binding tie.

At 33 seconds, two engineers are using urinals in the men's room. The one with small wings looks at the one with big wings like he's intimidated. It's a joke about penis size, which adds that element that is implicit with ritual sodomy. The book of Enoch mentions the fallen ones having privy members like horses. The wall is tiled, Masonry's calling card.

I can't help but see the square and compass of Freemasonry lurking within VW's logo.

At 34 seconds, an engineer sprouts wings inside a wind tunnel. Think of the GI tract. (Part 110 - The Sodomite Gateway - Wind Tunnel; a Metaphor) The fan in the tunnel is a sun-anus and a circled X: Code MOB and ritual Horus Eye sodomy. An engineer's head appears in front of it like it's his dark halo, with his head up the butt.

At 41 seconds, an engineer with wings hovers near the ceiling, and the place is ringed around with windows. Another stargate transit is pictured with a column at the junction of a T. He's in the middle of an X or plus sign cross of 4 lights. You can tell from one of those lights that's it's a circled X. Code MOB.

At 50 seconds, we see the winged engineer who's about to have rainbows shoot out of his butt. He's ascended to the top of a pyramid ladder, the stairway to heaven where he's working with an elevated car shell, a heavenly vehicle.

In their closing sequence they feature an odometer display rolling over from 099,999 to 100,000. You can't miss the inverted 666. That scene rolls over to display their logo. Triple V. Circled X. Sodomy. Das Auto. “That's the power of German Engineering.” Yikes.

If they intended to signal the pattern of 3 things and then a 4th by giving special attention to a 100k span and following that by giving attention to a 200k span, that would not seem out of place. This is the season in which they hope to reach their suggested milestone. And, reach it, they will.

Wednesday, January 29, 2014

Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!

Continuing from the previous post in series, the music video of Miley Cyrus - We Can't Stop contains Silver Gate imagery that shows the emergence of Horus from the Duat. A scene later in the video contains another celestial reference, to a very obscure but vitally important sign. The celestial sign of 1991 is cleverly encoded. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this very time as the appointed season for the fulfillment of prophecy about the end of the age.

At 2:07 into the video we see a young man with a large tattoo. He sucks his thumb like a little baby and rests his head on a young woman's belly. To most, it's just non sequitur nonsense. To those have a grasp of the celestial theme of the video and understand the celestial signs of our times, it is far from that! It's a picture of the celestial sign of 1991.

On his tattoo you can plainly read, 1991. The rest of it is a little hard to make out. I believe 2 interpretations are suggested.

If we see it as “est. 1991,” with “est” being the abbreviation for “established,” that fits the scene pretty well. His head is on the girl's womb and he's like the little baby in her womb. The attention given to the girl's diminutive breasts suggests that she's not a nursing mother, that her milk hasn't come in yet, that her son is just being born. I've likened the sign of the Lord's return in judgment in 1991 to the sign of the His birth because there are many similarities. One comparison that should be drawn is how years must pass before the season reaches maturity and the evidence of the reality begins to manifest openly.

If we see the tattoo as a stylized striped cat like a tiger, it becomes more likely that it reads “cat 1991.” This is obviously one of the video's many sex kitten Beta programming symbols, but let's focus on the sign of the time. That wasn't the Year of the Cat but the Year of the Goat, on the Chinese calendar. The calendar of interest here is the Lord's own calendar! I've adequately demonstrated how the circle of the Zodiac and Virgo and Leo was presented in the stargate sequence. The stuffed cat was Leo. This tattoo is also to be interpreted in the celestial context, picturing the sign of the cat. The sign of Leo in 1991 is familiar to me because it represented my own personal point of entry into this realm of unfolding prophecy!

It was in May of 1991 that my attention was drawn to a rare and dramatic celestial event that was beginning to unfold. It would develop in the constellation Leo, which you see in this Stellarium screenshot of sunset on the 11th of August. That was probably Rosh Chodesh, the first day of the 6th month. I came to recognize this massing of four planets as the very sign that some attentive students of history claimed was that which prompted the Magi to begin their famed journey. They found and worshiped the child born King in Israel. With that observation, further study immediately led me to discover the stunning sign of the Lord's return in judgment. I saw it in a simulation beforehand as I animated the display on my pc, then was privileged to witness it live as it appeared in the heavens. I wondered then if it could be possible that I was the only one who really knew what it meant. A few years later I obtained evidence that others had noted the significance of that pivotal season, which was coming from the Adversary's camp with a spin on it. Since then, I've found plenty of evidence that implies it, (the 3 things and then a 4th pattern), but not much that I recall could be considered direct evidence. Until now.

The Adversary conceals and reveals the sign in cryptic fashion that is according to the manner of revelation in the scriptural record. It's all sealed for protection. The following is the account of the patriarch Jacob's deathbed prophecy. It pertains to “the latter end of the days.” (YLT) The KJV reads, “in the last days.” Bullinger notes in “Witness of the Stars” that Judah is identified with the constellation Leo, the lion. It was in his making of that connection that I read the passage below, in which I recognized the coded description of the celestial sign that had made my jaw drop on seeing it form on my computer screen. The first part of verse 10 describes the action of the sign that occurred in Leo, and the second part gives the meaning.

1 Then Jacob summoned his sons and said, “Assemble yourselves that I may tell you what will befall you in the days to come.
8 “Judah, your brothers shall praise you; Your hand shall be on the neck of your enemies; Your father’s sons shall bow down to you. 9 “Judah is a lion’s whelp; From the prey, my son, you have gone up. He couches, he lies down as a lion, and as a lion, who dares rouse him up? 10 “The scepter shall not depart from Judah, nor the ruler’s staff from between his feet, until Shiloh comes, and to him shall be the obedience of the peoples.
~ Genesis 49:1, 8-10

and one of the elders said to me, “Stop weeping; behold, the Lion that is from the tribe of Judah, the Root of David, has overcome so as to open the book and its seven seals.” ~ Revelation 5:5

Simply put, the celestial interpretation of the verse is as follows: "Jupiter will not depart from Leo nor Mercury from between the feet until Y'shua comes in judgment." On September 10, 1991, Mercury met Jupiter at Regulus in Leo. Jupiter remained in Leo, moving slowly, while Mercury rapidly moved "eastwardly," exiting from between the feet of the lion by the 27th of September. By then, the prophecy of the coming of the Judge had been fulfilled!” (The Year of His Coming: 1991 - Part I)

The coming of the Lion of the Tribe of Judah in judgment began on Yom Teruah, which was September 10-11, from sunset to sunset, in 1991. I seldom mention this fact but it begs mention here. That sign of judgment occurred exactly 10 years to the day before 9-11-01. To the very day. There's a harbinger.

Take a step back for a moment. Pause to reflect on what's really going on here. Am I just making stuff up? Am I stretching the facts and fudging data to fit my own pet hypothesis? Either this is the stuff of my own invention or it's not. Place your bets.

So, the tattoo of “cat 1991” and/or “est. 1991” references the celestial sign. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this as the appointed season for the fulfillment of prophecy about the end of the age. It marked the birth of this appointed season of judgment. Previously in the video, the ratty stuffed bobcat was the sign of Leo. The tattoo of the suckling male is another. They are related. The revelation of the schedule of when the messianic beast will be revealed, with Horus incarnating through the Silver Gate is established by the cat sign, the sign of Leo and the Lion of the tribe of Judah.

There may be more suggested by that relation. According to PBS Frontline, about 3 weeks after that sign, on October 2, 1991, Arkansas Governor Bill Clinton announced that he will run for president. According to the Huffington Post, his candidacy was announced in July, according to an article dated May of 2013 that reflects back on a memorable speech he gave back in May of 1991, while I was discovering the sign. Bill Clinton's Clinic: Passionate 1991 Speech Could Show GOP How To Revitalize A Party In Decline - The Lord has me watching Bill when I track the key dates.

I see retrograde motion as a connecting link between the two celestial cat scenes, the bobcat and the tattoo. The two events identified in them are very directly connected because one follows after the other by a numbered season. The Horus transit that reveals the beast is fixed on the schedule within the 4th Shemitah of the count. During the dynamic sign of 1991, Venus was still tracing out its retrograde loop when Mercury was completing it's own, meeting Jupiter at Regulus in Leo. The Sun was very close by, which you can see in this simulation. That's all implicit in the tattoo symbol because that's the celestial sign it represents. In the previous post, when I described the sequence of the doe, then the bobcat, then Miley and the doe again, I pointed out how that could be interpreted as a positional looping, like the trace of a planet undergoing retrograde motion. When I look at the scene where Miley carries the doe, I see the Sun, Mercury and Venus, and those are the two planets that were looping in retrograde in the sign of 1991. The sunglasses are on the head of the doe to represent the Sun. The doe is Mercury, the planet closest to the Sun and Miley is Venus, the next in line. She's Venus, the goddess of love who is sexing it up with everyone at the party. The dead and stuffed doe is embalmed, and the embalmer is Anubis, god of the dead, who is also known as Hermes and Mercury. Read Genesis 49:9 and meditate on a comparison with that bobcat.

In moving out from the Sun, there's Mercury, then Venus, then the Earth. The Sun-glasses, Mercury-doe, Venus-Miley (Venus de Milo) and then there's the bobcat, the beast, coming to Earth. He'll be transiting the Silver Gate, departing the underworld to be welcomed on Earth right on schedule.

By all accounts, when the Moon is full on the 13th day of the 1st month in the Spring of 2015, a man will stand before the Pope to be baptized and anointed. The ancient king will be received by nearly everyone. He will have impeccable credentials of the most convincing kinds, but he will be an impostor. Proof will have been offered that the gathering to the Lord had already happened, and no refutation of the claim will seem reasonable. Yet, it will be a lie, and some will know it, having evidence of another kind.

As I wrap this up, there are a few more symbols I want to identify.

Perhaps the first dimensional breach modeled in the video was when folks were seen emerging through the hedge. As hedge witches know well, the hedge represents the dimensional border.

Some of the scenes feature sliced bread, white bread. Miley herself is “white bread” according to the racial metaphor. At 0:26 a black male is eating white bread, which suggests eating or having oral sex with Miley. Since the video is filled with crude sexual gestures and innuendo, that interpretation is unavoidable. Since cannibalism is part of the SRA routine, that is also underlying the symbolic act.

The bread he's eating is actually a paper money sandwich, with large denominations, suggesting the attitude of the elite that it is consumed like it has little value. At 3:11 we see a huge pile of sliced white bread on the kitchen counter, and nobody's giving it much attention. Projected on the kitchen scene like a movie screen are what looks like coins, once more associating the bread with money, mammon. “Bread” is a metaphor for “money.”

There's another scene with white bread at 2:27, where a man lies down with his head on a pile of sliced white bread, and he's stuffing a slice into his mouth and chewing like he's in a stupor. I see a few statements being made that are consistent with the rest of the video's messages. It's leavened bread, and bread is a metaphor for the body and leaven for sin. Bread and dough are metaphors for money. The love of money is the root of all evil - 1 Timothy 6:10. They love money. They love sin. They love evil. They indulge themselves with leavened bread.

The scene at 2:27 bears witness to their rejection of every word that proceeds out of the mouth of God and a dedication to embracing a living that is as if it is on bread alone, in defiance.

3 And the tempter came and said to Him, “If You are the Son of God, command that these stones become bread.” 4 But He answered and said, “It is written, ‘Man shall not live on bread alone, but on every word that proceeds out of the mouth of God.’” ~ Matthew 4:3-4

The scene speaks to me most loudly about the heavenly Father's provision.

2 And He said to them, “When you pray, say: ‘Father, hallowed be Your name. Your kingdom come. 3 ‘Give us each day our daily bread. 4 ‘And forgive us our sins, For we ourselves also forgive everyone who is indebted to us. And lead us not into temptation.’” ~ Luke 11:2-4

Our provision from the Lord comes as daily bread, like how manna was provided in the wilderness wandering, like one slice of bread for one day. By gorging himself on the pile of bread slices the man in the video is thumbing his nose at the Lord's manner of provision. What speaks even more loudly to me is in the context of the Black Awakening! Illuminati programming media like this music video reinforces their Delta alter and mission programming. The operations that will bring chaos will require their sacrifice. They are consumables. Their pile of daily bread representing their futures and all their days will be consumed at once.

That anti-bride army created through ritual sodomy and trauma is also a foil for the genuine Bride of Mashiach, who is the true Bread from Heaven.

Pop quiz. Who this is?

Mr. Potato Head? Try again. The skull is a popular symbol of the Beast. Like the capstone that floats above the pyramid, so is the decapitated head. He's made of french fries, and that's a clue to further define him as the agents of the Black Awakening themselves, who compose his beast kingdom body. French Fries. Double f ~ 66. Fast Food. Double f. The number 66 represents the abyss and kingdom of the beast. When the skull gets stomped on and kicked, that speaks to me of their bringing of death and of their expendability as a consumable. Freeman has written about the Occult meanings of 66, connecting it with Kabbala and the shells or shades of the dead, like what I identified with the symbolic sunglasses.

Qliphoth/Qlippoth: “Lit. “shells” (singular: qliphah). Shades of the dead whose names appear in the books of Dyzan or Thoth, or the Book of the Law (AL). They may contain formulae of magical powers. ... The Qliphoth are separation or “excrement” or negative representations of Divinity: Samael, Beelzebub, Lillie. In Kabbalistic magic, the Qliphoth are represented by the number 66”” (Freeman - MOB-666-Celebrity Mind Control)

With the skull made of french fries, we see fingers. Fingers and French Fries. FFF = 666.

Miley wears a shirt with the words “West Coast” emblazoned on the front. She's not just being trendy. With all the Silver Gate imagery present, the West Coast represents the Golden Gate. The acronym WC provides a Code 33 and a 23*3 triple helix DNA signal that identifies the composition of the beast flesh. To get to the West Coast you go west, young man, taking the left hand path until you reach your goal. It is a figure of speech that indicates a conversion from the practice of heterosexuality to homosexuality.

You can see the M on the chain around her neck. It's for Miley, of course, but that's not all. It is an emblem of a merging of the genders and natures and another sign of the abyss.

The most sacred of all is the letter M. It is both feminine and masculine, or androgyne, and is made to symbolize water, the great deep, in its origin. It is mystic in all the languages, Eastern and Western, and stands as a glyph for the waves, thus: ” ( H. P. Blavatsky - The Secret Doctrine (Vol. 1, Page 384))

The M is constructed with three Hebrew letters, vav, the sixth letter. 666. Mark of the beast, the beast of the abyss. The cross she wears with it does not mean she's a Christian. It represents the union of the sons of god (vertical) with the daughters of men (horizontal), a message consistent with everything else we're being shown.

In this scene Miley is with the exercise bike. The Baphomet hand sign made by the hat wearing man is also a sign of the magickal production of Horus. The fingers 3 and 4 are held together. Osiris 3-union Isis-4 produces Horus-5. On his shirt appears an obfuscated symbol of a cross inside a circle, a slightly rotated X inside a circle, the symbol of the mark of the beast. The decorative panel on the left has some framed pictures hanging on it. It's a picture of the beast kingdom composed of those who have received the mark of the beast. Focus on each framed image. They are obfuscated pyramids, the X in a box type. Divided diagonally, a pair of mirrored 3s appear: Code 33. The arrangement of 4 partial circles inside a square is a sodomite squaring of the circles. It's a form of the witch's magic quartered circle. I see this same sign ringed about the Third Presbyterian Church at 5th and S. Negley in Pittsburgh. It marks the posts of the enclosing wall as a dimensional barrier and gateway symbol. A large quartered circle or mark of the beast symbol appears on one of the main windows of the cathedral style edifice as a complement.

The videos final scene is one last coded image of the mark of the beast. She does her trademark closing of the left eye to give us the hidden eye signal of the Eye of Horus. The opened mouth supplements that as she calls attention to her GI track, with the anal Horus eye and sodomite gateway at the hidden end. She wears a hat with a veil and flashes two peace signs. Those feature the fingers 3 and 4 again to signal the production of Horus, and the V formed is the Roman numeral for 5 (Horus). The pair of hand signs with V for vav signals a pair of sixes. Again, 66 is the abyss and the kingdom of the beast. If we see the veil as providing another V, we're shown a VVV or vav vav vav: 666. The addition of the veil to the pair of Vs to signal 666 is the same trick they used when adding the F-ingers to the F-rench F-ries in the skull scene.

I believe a peculiar line heard in the lyrics of the song is actually, "Can't you see it's we who bound that life." That fits.

Pause to give due consideration to these things your seeing unfold here and in the world around you. Time is short for getting what you need while it's easy to get and for doing what some of you need to do. Soon, and very soon, access will be denied to the Internet. But it's not so much about doing as being. Are you still waiting for something, for the sky to fall on your head perhaps, for when it's too late to matter? Am I being too subtle here? People, wake up. It's time to commit. Seize the opportunity to opt in to whatever the Lord has appointed for you. Or, forfeit. Set aside all that is ultimately of little consequence and press in to the Lord for all you're worth, holding back nothing. Humble yourself before the Lord Y'shua. Allow Him to expose your idols and deal with them. He is worthy of every sacrifice.

Monday, January 27, 2014

Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate

The Silver Gate transit of Horus is sometimes pictured in some creative and pretty bizarre ways. So are the symbols concealing and revealing the secrets of the timing of the end of the age. The music video for “We Can't Stop” by Miley Cyrus provides such content, and more! Accompanying this music video's Silver Gate imagery is a reference to the pivotal celestial sign of 1991. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this very time as the appointed season for the fulfillment of prophecy about the end of the age. I can't cover this all in a single post, so there will be more to follow, Lord willing!

Miley Cyrus is the current edition of the “former Disney girl-gone-bad” collection. She has made headlines in recent months for her obscene stage performances. While this post was being written, she performed at Clive Davis' annual pre-Grammy gala at the Beverly Hilton Hotel. Despite her embarrassing public behavior, she continues to be involved in media ritual.

Here's the official music video this post is focused upon, although I recommend not watching it. There's no nudity but be forewarned that it is indecent and very offensive. If the production seems cheaply done, don't be fooled into thinking it's amateurish. Like with “Crazy Kids” by Ke$ha, the apparent lack of sophistication and budget belies the evil genius behind the effort.

Miley Cyrus - We Can't Stop

The general content has become standard fare for the industry. The celestial stargate transit imagery I'm going to point out shortly is attended by Monarch programming symbolism, including plenty of Beta sex kitten programming. The drug theme is prominent, and the imagery of bondage, abuse, homosexuality, sodomy, incest and pedophelia is pervasive. The lyrical theme might seem like it's just a bunch of spoiled bratty kids but it's really more than that. You might take it as a sign of the routine Illuminati programming of children at 3 years old having frozen them in that stage of development, and yet, there's still more to it.

It's our party we can do what we want
It's our party we can say what we want
It's our party we can love who we want
We can kiss who we want
We can live how we want

This defiant youth, rebel, anarchist, lawless shtick is what some call a “care free attitude.” That's a bit mild. They actually care very deeply about unrestrained evil. It's an exhibition of Aliester Crowley's Thelema motto, “Do what thou wilt shall be the whole of the law,” which he claimed was not really about the unrestrained expression of the individual's own will. It's about the full and unrestrained expression of the will of their god. By one name, that god is Horus. “Thou,” in “Do what Thou wilt,” is not the individual but Horus. This has been a major theme on this blog and this is the most basic meaning of the video.

Miley's wild house party is celebrating the coming incarnation of Horus. This is the familiar pep rally for the agents of the chaos that has been called the Black Awakening, the action that will usher in the social order being prepared for the returning ancient king's welcome.

So la da di da di, we like to party
Dancing with Molly
[party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop
Can’t you see it’s we who own the night
Can’t you see it we who bout’ that life
And we can’t stop
And we won’t stop
We run things
Things don’t run we
We don't take nothing from nobody

Again, the song and video are programming the expendable agents whose role it is to forge this age into the one in which the incarnating Horus will be received.

At 1:38 into the video, the modeling of a Silver Gate transit begins to unfold. This sequence begins with a collection of ratty stuffed does arrayed in a circle. They appear to be cloned like as if in a kaleidoscope that multiplies a radial section by reflecting it in adjacent mirrors. You have to point a kaleidoscope at the light. The little doe clones all face in and wear sun glasses, with their shadows radiating outward. This scene represents the Zodiac, which rings around the Earth. A deer with sunglasses has features of both people and animals, and the Zodiac is populated with the forms of people and animals.

You can draw a circle through the sunglasses, which represents the path of the sun through the heavens, the ecliptic. Generally, sunglasses signal the worship of the sun god. As filtering the light into the eyes, the sunglasses represent the blinds of Occult obfuscation. There's a concealing and a revealing at hand. As sunglasses are known as shades, there is in this scene a witness to those spirits so called. A bhuta or a kama-rupa is a ghostly astral copy of a man that was. Shades are considered to be decaying astral corpses. Biblically, think Rephaim and the spirits of the dead that are appointed for another incarnation for the purposes of judgment. The decrepit stuffed critters in the celestial setting of the Zodiac are such shades, and we will see their vision of the dead Osiris coming out from among them as resurrecting into Horus.

Count the deer. There are 11, and yes there are actually 12 signs in the Zodiac. Where's the missing sign?

I'll describe another layer of symbolism later, but first consider the 12th sign pictured as this other doe clone. It appears next in sequence after the Zodiac set, flashed briefly just before we see the stuffed bobcat-like critter being pulled across the floor. We get a better view of the sign when we see Miley wearing a fur coat and carrying little “Bambi.” The deer is wearing Miley's sunglasses. This is the 12th doe, the circle's missing constellation that is actually the first in the sequence: Virgo. Miley and the doe are Virgo. The doe has a fur coat, and so does Miley. The doe is wearing Miley's sun glasses. Miley gives us an unblinking stare that might well be her best impression of a “deer in the headlights.”

In the circle of the Zodiac, Virgo is at the head and Leo is at the end. This is implied by the design of the Sphinx. This is familiar, right? This mystery of the Sphinx is demonstrated by Miley as she pulls the bobcat behind her. The bobcat is a big cat representing Leo, the lion. She is Virgo, and the golden chain in her hand that is Leo's assumed leash implies the other constellations. We don't see the entire chain at once, which must be, in part, to make allowance for the unseen links in the Zodiacal chain connecting Virgo with Leo.

Woven into this symbolism is the transit of Horus through the celestial Silver Gate. The strange looking bobcat being slid across the floor is a fierce beast. It's Horus, of course! He's poised to pounce, a predator and lion king sun god who is springing forth into our dimension. He is stuffed, mummified, that long dead Osiris who is about to spring into life in the resurrected Horus. The count of deer in the stylized Zodiac presents the 11 that is a simple Twin graphic to signal Gemini, the Twins. The doe clones are all twins; again, Gemini. The white color that dominates the set is equivalent to silver in heraldry, and these are also represented by the same Egyptian hieroglyph. Yes, it's another cryptic vignette of Horus transiting the Silver Gate.

A waveform appears at the bottom of the curtain that speaks to me of the repeating cycle of the sun crossing over the equator, a testimony of the sun god's manifestation in the earth. It also suggests to me the hieroglyph for the watery abyss, which is being traversed.

Isis and Anubis are also present and active. Virgo is Isis, and so we see Miley with the little doe towing the beast by his golden leash. It's through the magick of Isis that Osiris resurrects into Horus. The psychopomp Anubis leads the way in this passage out of the underworld Duat in the guise of the little stuffed doe. Anubis is the god of embalming, of mummification, the taxidermist's trade.

The stuffed animals all bear witness to his identity and presence in the scene. Miley's fur coat is another witness, which has been processed by the tanner to accomplish the same purpose of the preservation of select portions of the body of the dead.

Notice how there's no slack in the chain that pulls the beast. It doesn't droop, it's perfectly straight. Together with the horizontal and vertical edges of the video frame, a right triangle is suggested. That chain is the hypotenuse. This evokes the formula of the 47th Problem of Euclid. The hypotenuse represents Horus, as produced through the union of Osiris and Isis. That golden chain is the golden Apollo, Horus. This is a fitting picture with Isis as Miley standing upright and vertical, and with Osiris as the beast on the perpendicular horizontal base.

Early in this series and while addressing Ke$ha's “Crazy Kids” video, the chains seen around the necks of people and animals were identified with the Theurgists concept of the Great Chain of Being. This is in play here. Some of these chains are the utility kind that has toroidal links. The twinned torus speaks of The Twins and Taurus, the celestial Silver Gate.

By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)

The scenes that immediately follow that bizarre Silver Gate sequence repeat the message in a different way to give us the validating redundancy.

According to legend, Apollo, son of Zeus, was born on the floating island of Delos. Leto gave birth to him under a palm tree. This is dramatized for us by Miley as she floats in the water wearing a suit with palm trees on her breasts.

And as soon as Eileithyia the goddess of sore travail set foot on Delos, the pains of birth seized Leto, and she longed to bring forth; so she cast her arms about a palm tree and kneeled on the soft meadow while the earth [of Delos] laughed for joy beneath. Then the child [Apollo] leaped forth to the light, and all the goddesses raised a cry. Straightway, great Phoibos, the goddesses washed you purely and cleanly with sweet water, and swathed you in a white garment of fine texture, new-woven, and fastened a golden band about you.” (Homeric Hymn 3 to Delian Apollon 2 - 148 (trans. Evelyn-White) (Greek epic C7th to 4th B.C.))

The video producers present the bobcat beast leaping forth into the light with a golden band or chain around him as the newly born son of Leto, adorned by the Phoibos.

There is a celestial aspect to this. According to Greek legend, Asteria (root meaning of “star”) was a Titan goddess of astrology. After fleeing the advances of Zeus she leapt into the sea and became the island of Asteria, also called Delos. The censored sign over her mouth with golden chains connecting it to the sunglasses bears further witness to the bringing forth of the sun god, Apollo. Leto was restricted in where she might give birth. She gave birth on the floating Asteria because Hera, Zeus' wife who was known for her morality, banned her from giving birth on a mainland or a normal island. Leto was censored. So it is that we see the sign on Miley attached to her sunglasses reading, “CENSORED.” Miley represents Leto, famously censored by Hera.

When you see Miley in the pool with a doll dressed exactly like her, it speaks of the birth of Artemis to Leto, Apollo's twin.

It is remarkable that Leto brought forth Artemis, the elder twin, without travail, as Callimachus wrote, as if she were merely revealing another manifestation of herself.” (Wikipedia)

The doll is Artemis, “another manifestation of herself”; Miley-Leto.

The doll obviously speaks of Gemini, the Twins, to add even more Silver Gate imagery.

Miley and the doll also symbolize the twinning of Illuminati trauma-based mind-control programming. Much, much more could be written about all that layering, because the video is just smothered in it.

It should be noted that the palm tree is the phoenix palm, the familiar Occult symbol of victory over death. The birth of Apollo to Leto is equivalent in symbol to the resurrection of Osiris into Horus as wrought by Isis, the long sought manifestation of victory over death.

Before we get into the very special time element embedded in this video, let's return to the vignette where Miley-Isis-Anubis was towing the beast to get more of what's there for us.

I had previously identified Miley and the doe clone she was carrying as the 12th sign of the Zodiac, Virgo, noting how there was another layer of symbolism evident. On this level, the sign missing from the 11 remaining in the Zodiac is Leo, the big cat, who is being dragged away. See the celestial realm as containing star-angel beings and not just physical lights. This beast poised to pounce is going to spring through the Silver Gate into our earthly dimension. It has to leave there to get here. The 11 stuffed and scruffy shade critters are left behind after the Horus entity has left that habitat, which is the Duat, underworld abyss, the place of the dead. At present, in reality, the antichrist entity referenced as Horus is among others of like kind, but it soon will depart from among them to become separate. This is literally what the following passage declares, with a literal rendering of “taken out of the way” being, “gone from among.”

7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. ~ 2 Thessalonians 2:7-10

This is the “apostasia” of verse 3, the “standing away from,” pictured in a very elegant but bizarre way in this brief video sequence. It is not meaning “apostasy” as we know the word! (See The Sign for the Bride - Part 1)

Let no one in any way deceive you, for it will not come unless the * apostasy * comes first, and the man of lawlessness is revealed, the son of destruction ~ 2 Thessalonians 2:3

This departure and the separation created thereby is a key aspect of the transit of Horus through the celestial Silver Gate into our earthly realm.

This pillar or bridge or viaduct being traveled is named in the second chapter of Joel, where we find an explanation for more of the video's imagery. This is synchronized with the song lyrics on the audio track.

The dimensional bridge is identified as the mecillah in the Hebrew Bible. I already shared these versions of the verse in Part 15 - Celestial Stargates - Operative Black Magick but I'm going to repeat them here.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

“In his path” is the Hebrew word “mecillah.” It's the viaduct or way of ascending and descending between the realms, a stargate.

And each his brother they press not, Each in his way they go on, If by the missile they fall, they are not cut off. ~ Joel 2:8 (Youngs Literal Translation)

They do not push each other; each man proceeds on his own path. They dodge the arrows, never stopping. ~ Joel 2:8 (Holman Christian Standard Bible)

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

This traversal is very often (and I mean VERY often) pictured in symbol by a train on railroad tracks with the individual cars all linked together and traveling in a line. No recognizable train is in sight in this video, but the long narrow silver vents on the floor between the beast and the drapery speak to me of the train tracks. The sled the beast slides along on is as a car in the train. It's Leo, the caboose on the golden Zodiac chain led by Virgo, right? It's the orderly procession where everyone marches along in line.

This sliding of the beast along the mecillah is synchronized with the lyric, “And everyone in line,” and now you know why!

Here's what's being sung while this prophetic drama unfolds on screen. This verse is about finding a private place while you're out clubbing to do illicit drugs and get high, but only superficially. This segment begins with a twerking scene then cuts right into the celestial stargate transit sequence.

To my home girl here with the big butt
Shaking it like we at a strip club
Remember only God could judge us
forget the haters cause somebody loves ya
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

Have you ever “turned up” somewhere? You went there and upon your arrival you were found present in that location. It's the encoding of the Silver Gate transit described in Joel 2:8 (above). Read the whole chapter. It's about God's judgment, which is why that's in the verse of the song, evoking the theme to set the context for us! In the execution of God's judgment, these appointed agents will transit the mecillah in single file, like the cars of a train along their track. They will be “all so turned up here.” The producers of “We Can't Stop” know it. We are going to get “freight trained” and it won't be stopped. Judgment is even now arriving, and those agents will be “getting turned up” right on schedule.

This message of “We Can't Stop” compares to what you will find in the music video by A-Jax, “Insane.” (See Parts 8 and 9 among others.) In both of the Silver Gate transit sequences where the cat jumps off the pillar and the candlestick-hourglass falls, it ends with the Anubis guy wearing keys around his neck and the words, “I can't hold it in, you can't stop me.” When Horus' is triggered, the transit will not be stopped.

One of the features of Silver Gate modeling involves time. The activation of the celestial stargate is presented in the context of a manipulation of the continuity of time through a truncation or reset action. Time keeping pieces like clocks and timers are some of the more obvious symbols used but sometimes a reset is suggested by the way scenes are sequenced. The stargate sequence in “We Can't Stop” begins with the 11 doe Zodiac. It's followed by the doe carried by Miley, then the bobcat beast, then Miley and the doe. I see a reset in the cutting of scenes from the doe to the cat and back to the doe. Virgo appears then Leo and then it's back to Virgo. In the context of the Zodiac you can see this as a time loop that implies a reset.

You can also interpret that as a positional looping, like the trace of a planet undergoing retrograde motion in that region of the sky. What leads me to that observation is a later scene that references a very special celestial sign, the sign of Yom Teruah, 1991, which involved just such a motion!

The referencing of this sign is a big deal because it is the sign of the Lord's coming in judgment and the basis for the count of Shemitah that identifies to us that it is truly this present Shemitah that is the one appointed for the conclusion of this age! If you're not familiar enough with the sign to have confidence in what it means, well, you've really got some catching up to do on some very important matters, critical matters, it must be said.

Friday, January 24, 2014

Part 1 - Code MOB - Mark of the Beast Symbolism

I've covered many Occult themes on this blog, including symbols that represent the mark of the beast. Instances of this particular class of symbols appear far more frequently than you may suspect, wielding a powerful influence for their subtlety and ubiquity. The promotion of the beast and his mark through the magic of symbols represents a major offensive in the spiritual warfare of this age that is appointed to ply the saints and all of humanity.

I've already exposed a wide variety of examples, in logos, ads, commercials and other kinds of media, but even in this late hour, there's value in exposing more of them. This post launches a series (Lord willing) that will take a more methodical and focused approach, like with the closely related series on Code 33.

You will notice how Code MOB and Code 33 are frequently woven together, intersecting the related themes that are the frequent subjects of this blog, like ritual sodomy, celestial stargate transits, mind-control programming and the Black Awakening, Jezebel, homosexual, bioforming pandemics and Horus worship. Stacking layers of imagery enhances of the power of the symbol, and there are some incredibly potent sets that await being brought out of the shadows into the light of day!

A proper discussion of the symbols that represent the MOB should include a summary of what it actually is. I have come to have a degree of confidence that it will be administered as an implanted microchip that is introduced in the context of health care. As a transducer, it will vibrate to initiate a genetic change, replicating the DNA of the beast to transform one's body and blood (soul). This will afford recipients a kind of temporary immortality but they will literally trade their soul for it. It will make of them avatars, hosts for the disembodied spirits that were purged in the flood of Noah. Thus enslaved, they will be granted access to the beast systems for economic provision. They will be installed as a node in a corporate other-dimensional hive mind.

One of the most familiar ways the beast and his mark is signaled is through the obfuscation of 666. I intend to cover those classes, and there are many, plus many other kinds. An overview of classes that I recognize at present includes those that suggest or resolve to 666, those that suggest or resolve to the encircled X, or XO. Other classes reference ways the mark will be expressed in the world, in the technical matters of genetic transformation and connectivity with systems of commerce and personal identification, and in the mystical or supernatural merging of the sons of god with the daughters of men. One symbol of the mark may be the most surprising, which has to do with sex, and more particularly, sodomy. I'll begin with there.

16 And he causeth all, both small and great, rich and poor, free and bond, to receive a mark in their right hand, or in their foreheads: 17 And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name. 18 Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is Six hundred threescore and six. ~ Revelation 13:16-18 (KJV)

Most of the New Testament manuscripts are in the Greek language. This is what the passage looks like in my Greek Interlinear. The number of his name or the number of the beast that is associated with his mark is represented by three characters. They are “chi xi stigma” and they connect like a single word. When you consider the form of these letters, they resemble the English letters XES. This is a simple anagram, the inversion of the word SEX!

There was a time I would have denied that anything should be made of this observation, but not anymore. One might well say that the mark of the beast is identified with backwards sex, which suggests sodomy. Prostitutes call sodomy “Greek sex.” Make of it what you will.

We know that we are of God, and that the whole world lies in the power of the evil one. ~ 1 John 5:19

The whole world lies in the power of the evil one, and if the English word “sex” derives from the Greek “chi xi stigma,” and Greek sex or sodomy is implied, well, it makes sense to me. I've been demonstrating on this blog for years how the enslavement of a person through the Horus Eye activation of ritual sodomy is the precursor to the mark of the beast.

When the word “sex” is found in the context of occult signaling, it must be considered in light of “the number of his name,” “chi xi stigma.” XES and SEX equate to 666, the sum of the letters valued as 600, 60 and 6. In English gematria, “sex” has the value of 33 when z=1 (8+22+3). The word “sex” is a powerful symbol, Code 33 and Code MOB!

Tuesday, January 21, 2014

I, Pet Goat II - Fire and Ice, The Lotus President, Tear Jar, Psalm 23

With many hours invested in the study of Heliofant's video, “I, pet goat II,” what I've learned has been shared on this blog in clumps of posts as I've gained insight into various themes. Here's some more observations.

The video is embedded below but if you can't see it in your version you can probably still find it on the home page.

Graffiti appears on the side of the school, with our attention drawn to it because the reflection is seen in the window as we pull back out of the classroom.

The script is a little hard to make out but it's a reference to one of the most familiar and commonly memorized passages of scripture, the 23rd Psalm.

1 The Lord is my shepherd, I shall not want. 2 He makes me lie down in green pastures; He leads me beside quiet waters. 3 He restores my soul; He guides me in the paths of righteousness for His name’s sake. 4 Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me; Your rod and Your staff, they comfort me. 5 You prepare a table before me in the presence of my enemies; You have anointed my head with oil; My cup overflows. 6 Surely goodness and lovingkindness will follow me all the days of my life, and I will dwell in the house of the Lord forever. ~ Psalm 23

Given the scenes of destruction that follow and knowing how a sequel to 911 and further military engagements are indicated, the 4th verse is one that is going to be recited from memory by many folks when trouble comes. I take the referenced Psalm's 5th verse to be their subtle introduction to the featured scenes of the anointing of the lawless one. Because there's a lightning bolt in the graffiti and lightning striking around the pumpjack during the baptism and anointing sequence, the link seems pretty obvious to me. The lightning is connected with the “black oil” anointing, of unholy spirit, antichrist. When we see the oil drip down as from a spout, “My cup overflows.” (See Part 26 - Celestial Stargates - The Black Magick Baptist and Part 27 - Celestial Stargates - The Black Magick Anointing)

Because of the way the scripture reference is styled and how the overhead light shines on the number, immortality is pictured. Heliofant's version isn't going to be the kind Psalm 23:6 actually describes. “I will dwell in the house of the Lord forever.” The version their lord will furnish is the antichrist beast counterfeit.

The 23 is a signal chromosome number. I've written plenty on this blog about triple helix DNA and how Occult signaling describes the beast as having one serpent-kind strand added to the 2 native strands of the human host's DNA. The “evolved” transhuman or H+ or posthuman body of the beast, and of those who receive his mark, according to the familiar signaling, will feature 46+23 or 69 chromosomes. The graffiti graphically illustrates “2 into 3” where the 2 strands become 3. The 2 and 3 are entwining, spinning together. This pictures the evolution that dominated the imagery of the front wall of the classroom scene, focused on the genetic level. See the spike on top of the 3 as the plume of the plumed serpent or horn of the dragon, identifying the nature of the 3rd strand and triple helix bodied beast. There's a round depression in the wall that speaks to me of the Ouroboros.

The light is most particularly shining on this number, on the head of that 3 strand DNA bodied plumed serpent. The light seems to match to the peak of the snowbank as the capstone of a pyramid.

See the lightning positioned adjacent to the 2 as the powerful charge that initiates the “2 into 3” action. There are two aspects of this brilliant imagery, the technical and the esoteric.

Gene splicing has typically been done using a high energy capacitive discharge device to shock “the soup” and cause genetic material to migrate. I knew the guy who invented and patented and distributed such a device, back when I first became a professional web developer. Take a look at the graffiti. ZAP! Man's double helix is joined by a serpentine third strand.

On the esoteric level, the lightning bolt represents the (counterfeit) regenerating or resurrecting life force, which has kind of a dual nature being both destructive and creative. Think - Frankenstein. Here's some quotes from the Parts 26 and 27 of the series mentioned above. “Lightning is a powerful discharge from the heavens that can take life, yet, through that death may cause new life to be brought forth. ” “The lightning at the pumpjack pictures Satan falling from heaven to earth, contrasting the form of the dove seen descending upon the Lamb of God at His baptism in the Jordan.”

A lightning bolt is the weapon of Zeus, and we can interpret that as identifying his offspring, Apollo, aka Horus. See how the extended leg of the letter A is crossed with the lightning to form the Rx or wedjat Eye of Horus (Ax - Eye of Apollo). If we interpret the curled leg as a number 6, the number of man, we see in the crossing of the lightning bolt the intersection of Zeus and man.

There's more symbolism in the letter M and its extension into lightning. The letter M is the 13th letter, and 13 interprets as the rebel lord beast. How fitting that the M as 13 should extend into the lightning! What joins to the foot of the M is a 3, half blue and half yellow. We can see the M as a rotated 3, so we have in this a Code 33. Many encoded instances of Code 33 connect the elements that represent a 3 together to suggest the two are a single number. So it is in this case. If we continue down the leg of the lightning bolt we find yet one more character. If we consider only the bolt that is the extension of the M, there are 2 3s, connected in series, another Code 33. If we consider them all, 3 3s suggests the 9, of the mark of the beast transformation. If we consider the series of characters as a tripled M or M cubed, it represents the standard Illuminati programming matrix that is 13x13x13 in dimension. That compares to the lightning seen at the front of the classroom that splits the hemispheres of the brain.

This imagery is rich. The series of M or 3 characters forms the wave hieroglyph. HP Blavatsky, in The Secret Doctrine (Vol. 1, Page 384), identifies this with the Water-Abyss of creation. “The most sacred of all is the letter M. It is both feminine and masculine, or androgyne, and is made to symbolize WATER, the great deep, in its origin. It is mystic in all the languages, Eastern and Western, and stands as a glyph for the waves, thus: .” See Part 112 - The Sodomite Gateway - "Get Enrolled" - Plus, Insight into the Occult symbolism of Santa and Christmas for another example.

“This ‘zigzag’ of Creation is called the “Lightning Flash”. The return of energy from dense matter, back through the various stages, Sepheroth, and Worlds of Creation is known as the “Path of the Serpent” because of its reverse, or complimentary ‘zigzag’ nature back up this diagram called the Tree of Life.” (Secret Fire: The Relationship Between Kundalini, Kabbalah, and Alchemy)

All the complementary layers of meaning remove any doubt about what is meant by the graffiti: The Horus incarnation as the beast of Revelation 13 and the mark of the beast transformation. Referencing the 23rd Psalm provides hints of what's pictured in the scenes that follow, a walking through the valley of the shadow of death, an anointing with oil and immortality.

A later scene makes allusion to another Psalm that is similar to the 23rd in content.

The screenshot below features a weeping woman dressed in black. In her lap we see a boy with a swollen black eye, wrapped in bloody bandages. He appears to be dead. The woman holds a up vial in the palm of her hand. Because this follows the scene of an Islamic city being destroyed by an air-to-ground missle, we may assume that this is a grieving Muslim woman who is mourning the death of her son. In this context, we may also assume that the vial is a “tear jar” a lachrymatory. Additional imagery suggests another interpretation.

The mother and child present a Madonna scene, that of Isis with Harpocrates (Horus). The red ring around the mother's head is the halo of religious art that signifies holiness, and divinity. The black expanse is the sea and the mother and son are floating on it inside a shell. When the thing that rings about them is recognized as a shell, she may be easily identified as the goddess Venus. It's subtle, but there it is. She is Isis, linked through syncretism with Artemis/Diana, Demeter/Ceres, and Aphrodite/Venus. The beetle crawling across the boy's forehead and 3rd eye or Horus Eye must be a scarab.

As a divine being, the collection of tears in a jar speaks to me of two things. First, that this grief and trauma and sacrifice is ritually harvested like tears in a jar. See the tear jar held up against the red sky as if it is collected as a blood sacrifice into the heavens through a celestial stargate, through the magick of Isis. Because the tears of the goddess are black, we may interpret the black waters upon which the shell floats as a sea of tears. The imagery of the collection of tears by a divine being speaks to me also of Psalm 56:8.

1 Be gracious to me, O God, for man has trampled upon me; fighting all day long he oppresses me. 2 My foes have trampled upon me all day long, for they are many who fight proudly against me. 3 When I am afraid, I will put my trust in You. 4 In God, whose word I praise, in God I have put my trust; I shall not be afraid. What can mere man do to me? 5 All day long they distort my words; All their thoughts are against me for evil. 6 They attack, they lurk, they watch my steps, as they have waited to take my life. 7 Because of wickedness, cast them forth, in anger put down the peoples, O God! 8 You have taken account of my wanderings; Put my tears in Your bottle. Are they not in Your book? 9 Then my enemies will turn back in the day when I call; This I know, that God is for me. 10 In God, whose word I praise, In the Lord, whose word I praise, 11 In God I have put my trust, I shall not be afraid. What can man do to me? 12 Your vows are binding upon me, O God; I will render thank offerings to You. 13 For You have delivered my soul from death, indeed my feet from stumbling, so that I may walk before God in the light of the living. ~ Psalm 56

This Psalm is similar to the graffiti referenced Psalm 23, where one walks through the valley of the shadow of death while depending upon the Lord's rod and staff for comfort. If you're going to have some Psalms in mind for drawing upon in days to come, these are a most excellent pair. Heliofant illustrates the coming of what will produce many tears during Obama's administration. Don't bet against it.

Who will become the Antichrist? From where will he arise? Many have posed these questions, suggesting Obama or Prince William, even a returning Hitler, Nero, Alexander the Great, or JFK, among others. Each proposal has its merits. If you think about it, speculating on the lawless one's identity before he's actually revealed doesn't make a whole lot of sense, because, how can you identify someone before their identity is revealed, right? Playing “Pin the Tail on the Antichrist” has never appealed to me, yet, there has been value for me in giving special attention to one candidate in particular. Bill Clinton. The value has come as the Lord has coached me through seasons of watching on a particular day of the year. At those times He has led me to watch Bill Clinton, and I've kept notes and published my observations. Whether Bill will become the beast, I cannot say, and I have no personal stake in the matter because the revealing has not yet come, obviously. Continued watching according to the Lord's way is required and there is no substitute for that. Keep watch the 13th day of the 1st month on the Lord's calendar, and I expect that, in 2015, the day of the baptism that reveals will happen.

Heliofant seems to have confidence about the event, about what it means and how and when it will happen. The way I read it, they suggest that the candidate is associated with the office of the President of the US and that it is not Obama. The video has balance to the structure of the flow of scenes. I recently described how I see a “Bush-9-11” then “Obama-sequel to 9-11” pivoting on the apple rolling sequence. It's a balanced equation. Here's another kind of balanced equation.

When the apple rolls across the floor and bumps into Obama's shoe, it stops, breaks in two and sprouts a lotus flower in a picture of the emergence of the beast, the incarnation of Horus, during the Obama Administration. (See Part 33 - Celestial Stargates - The Flowering Lotus that Terrifies Obama in “I, Pet Goat II”) I've identified the LC on the floor as the signature of Lucifer. I've also identified the puppeteer operating the Presidential marionettes as Satan, and linked the identities of LC below with Satan above. As Above, So Below. Bush and the extension of that transformed marionette, Obama, are directly connected to Satan above, via strings. The lotus flower representing the incarnation of Horus is directly connected to the LC on the floor, via the apple.

Here's the way I see the equation, the suggested comparison that is like a reflection.

LC-apple-lotus flower of the office of the President ~ marionettes of the office of the President-string-Satan

Study the imagery. The apple touches the President, connecting him to LC below like the strings connect him to Satan above.

The lotus flower comes up from below, perhaps suggesting that this agent comes from out of the past, like Horus himself, and perhaps incarnating into a former president. J. C., Jimmy Carter? Eh, I think not. JFK? George Washington? I'm thinking, probably Bill Clinton.

42nd President: Bill Clinton (January 20, 1993 - January 20, 2001)
1st term (52): 1992-1996
2nd term (53): 1996-2000

43rd President: George W. Bush (January 20, 2001 - January 20, 2009)
1st term (54): 2000-2004
2nd term (55): 2004-2008

44th President: Barack Obama (January 20, 2009 - Incumbent)
1st term (56): 2008-2012
2nd term (57): 2012- * 2016

As Bill was the 42nd president, it may be seen that 42 = 6*6+6 (beast / mark of the beast) and that 42 months is the length of time the beast will have authority to act, according to Revelation 13:5. Of course, collections of such kinds of observations have been made about dozens of men, and the sum of it means little to me.

Heliofant knows things, deep secrets, and they have clever ways of concealing and revealing them. I believe they are onto the Papal baptizer and the lunar eclipse of 4/4/15, and another transformative 9-11 on near approach, all during Obama's administration. I believe they have demonstrated an awareness of and confidence in an understanding of the meaning of the 4th Shemitah from the celestial sign of 1991. Do they know about the royal boy chosen? Let's watch to see what may come, with the Lord's favor.

When I presented excerpts from HP Blavatsky in Part 33 explaining the meaning of the lotus, you may have noted the many references to fire and water. These two elements dominate many of the scenes of “I, pet goat II” and the meaning may be taken according to Blavatsky's interpretations. We even see fire and water in tension in the classroom, as the pictures on the blackboard frame the heads of the Presidents with a house and a shark. The house is on fire and the shark implies water.

The combination of the symbolic elements fire and ice is also dominant. At a minimum, I want to offer a little brief and a few links of interest to show how fire and ice points to the theme of giants and their return, a very relevant subject! Fire and ice must be understood according to the Norse creation legends and according to the theory of eternal ice (or “Welteislehre” or “Glazial-Kosmogonie”). That influential theory came to Hans Horbiger in a vision in 1894. The theory of Eternal Ice was strongly embraced by Hitler and the Nazi party, and I have to think there is something of it that is embraced by Heliofant.

Yet despite these challenged, the cultural mind set seen throughout Norse mythology bonds the primal element of fire with both the creation and destruction myths. In the destructive acts of fire come forth the greatest acts of creation. In the more epic of these, fire is the unforgiving but necessary key for ushering in new and better ages in mythological history.


The earth, Hörbiger stated, is a meeting-point between ice and fire: Horbiger taught that it had already attracted three moons, and that the one we see at present is the fourth, which, of course, is made of ice. Like its predecessors, this moon will eventually collide with our planet, and then it will be the turn of Mars. All of earth's history is the result of the forces exerted by its successive moons, and can be divided into four distinct geological epochs:. at the end of each epoch, the cosmic forces are at their strongest, due to the closeness of the moon, and the result has been beings of gigantic size. The first epoch culminated in the age of giant vegetation and insects: the second in the dinosaurs, the giant mammals, and the first human beings, a race of giants, as mentioned in Genesis 6.4, who ruled the earth some 15,000,000 years ago: the third was the mythical Golden Age, that of Lemuria, Atlantis and Thule, destroyed by the cataclysm of the third moon falling on the Earth 150,000 years ago; the fourth age is our own. According to Horbiger, the beginning of this age was marked by battles between the giants who had survived the third, and the men of the fourth, as recorded in mythologies. Other giants taught men to found the ancient civilisations of South America, Egypt, Mesopotamia, India and China. Eventually the giants died out, and man declined into the drabness of Judaeo-Christian civilisation, where he forgot his glorious heritage. But this is only temporary. Affected by the cosmic rays of a moon which is spiralling imperceptibly closer, man will awaken to a realisation of his place in a living universe, mutations will transform his existence, and demi-gods and giants will again arise in our midst. Horbiger averred that an 'uprush of fire' was imminent, that great initiates would co-operate once more with the cosmos and its struggle between ice and fire, that Supermen would once more walk the earth's surface, and that before them the slave-men would tremble and obey. These doctrines conformed with the legends of primitive peoples and the mythologies of the ancients, with the visions of Nietzsche and of Wagner. They had many similarities too with the teachings of Gurdjieff and Madame Blavatsky.

Hörbiger [Third Reich Occult History Blog]

According to the Horbigerian cosmology, a huge planet moved across the sky and nearly brushed against the earth some fifteen million years ago, Its gravitational attraction gave rise to a race of our ancestors. They were recorded as perfect giants. These giants, who appear in the ancient Norse and Icelandic mythologies, sleep, yet they are alive. To the Nazis, they were Supermen. In one set of myths, contained in the Nibelungenlied, they lived beneath Teutonic Mountains. In another they were prototype Aryans from the East, inhabiting vast Tibetan caverns. Then something stood out in all of the catastrophism. There was a passage that was highlighted in yellow that screamed déjà vu. It was a letter that Hitler's henchmen sent out to scientists who were chosen for recruitment into the Nazi party: "The Time has come for you to choose--to either be with us or against us, while Hitler is cleaning up politics Horbiger is sweeping away the Bogus sciences. The doctrine of eternal ice will be a sign of the regeneration of the German people." The time had come for the fulfillment of Welteislehre and the beginning of Ragnarock. It was a bizarre mixture of scientific and religious prophecy spread in Nazi circles that when the Reich was ready to march there would be eternal Ice. It was Horbiger who claimed that when he was looking at the moon he thought the mountains there were made of Ice. He also claimed that stars were large blocks of ice. Horbiger claimed that there would be a constant struggle between fire and ice and soon ice would fall from Heaven signifying the reign of the new powers. It would mean the Giants would come and the war would begin to bring about the new order. In Norse mythology it is written that there will be an epic battle that will signify the end of the world. This end time is called Ragnarok. The Norse mythology has a prophecy, which predicts the return of the Norse gods to bring about a new order. There will be a war of the Giants and the evil one will lead the armies of the dead. For three years Midgard will be plagued by wars. This will be followed by Fimbulvetr, the coldest and harshest of all winters and this winter will last for three years. The wolves Skoll and Hati who chase the sun and the moon will catch them and kill them. At the same time the stars will fade and disappear. The world will start to shake and everything that is bound will come free, including Loki and his son Fenrir. There will be lots of armies on the move. Loki will be at the head of the army of the dead.

Welteislehre - The Coincidence of the “World Ice Doctrine” By Clyde Lewis

In closing, I mentioned (in Part 33, referenced above) the Vril Society (or Luminous Lodge), whose members began their mental exercises with a disciplined meditation upon two halves of an apple. If you found what I excerpted there from The Morning of the Magicians interesting, you may also enjoy this page on